I'm coming off of my second class of critiques at Chic Critique and a month of mentoring and I'm starting to notice a common theme among a lot of students: taking a perfectly great SOOC and slapping it down with edits and over processing.
For the most part, unless I'm shooting in the dark or for a certain 'effect,' I'm a clean editor. Clean with a pop is how I describe my style.
What are clean edits? Exposure adjustment, WB adjustment/color cast adjustment (if applicable), removal of anything 'foreign to the face', cropping and sharpening. That's it.
If you nail your SOOC pretty much in camera, is there really a need to do anything else?
When shooting indoors, other than B&W conversion and an occasional add of haze if a window is involved {see below}, I'm a firm believer in stopping there. An indoor photo is far different to the eye than an outdoor photo. When you go super crazy editing an indoor photo and laying on actions etc. it starts to look out of place. Like the eye 'wants' to see the image more 'raw' and 'true to life.' That is in part because if you are shooting indoors 9/10 times you are shooting lifestyle or in my case as I call it, documenting.
See these two images below? All I did was a color cast adjustments from mama-to-be's shirt and a little soft center fill and sharpen. It was even cropped that way in camera.
I'd kick myself a few years later if I applied an action. Why? Because clean NEVER goes out of style. The fads will come and go in photography (matte color, B&W matte, blur etc.) but clean will always stand the test of time.
{Shot w. 35mm, 2.2f 1/640, ISO 200}
For this shot, I captured this little nugget fresh from a nap. Mom was just starting to pull up the shades, and I walked in with settings I thought may be able to capture her expression when she realized I was there. Slightly underexposed, I upped the levels, adjusted white balance, evened out her nose color a bit with hue/saturation, unsharped mask and was done.
{Shot w. 35mm f 1.8, 1/125 ISO 800}
When I do deviate and do something aside from clean edits and B&W is when a window is involved. I love the look of haze and while I go for it mostly in camera, I apply a bit more when I want that haze to really shine. Add to that the removal of a few distracting wires and a sharpen, and it was done.
{ Shot w. 35mm f3.2, 1/400 ISO 800}
So next time you get a good SOOC shot, STOP. Take a breath. Look at it. And
pat yourself on your back for nailing it and getting some of your life
back. Because as fun as editing may be I'd much rather be shooting, or
hanging with my little girl than applying action after action and
diluting what was already a pretty darn good picture.